Sculpture and Drawings


Roberta Smith, “Spacewalk”, The Village Voice, June 10-16, 1981, pp. 89.

Artforum, September 1981, pp.125.

“Review: The Clocktower”,  Art in America, Vol 69, No. 8, 1981.

John Perrault, “Good for the Figure”, SoHo News, November 25, 1981

Carrie Rickey, “Barry Ledoux at the Clocktower”, Art in America, Vol 70, No. 1,1982, 142pp.

Jeanne Siegal, “Figuratively Sculpting at P. S. 1", Art Express, Vol. 1, No. 5, 1982.

Virginia Fabri Butera, “Review: Barry Ledoux, Willard Gallery”, Arts Magazine, Vol. 36, No. 9, 1982, pp. 31.

Judith Stein, “The Artist’s New Clothes”, Portfolio Magazine, Vol. 5, No. 1, 1983.

Kim Levin, “Top Forms”, The Village  Voice, May 24-31, 1983.

Cynthia Nadelman, “The New American Sculpture”, Art News, Vol. 63, January 1984, pp. 64-71.

Reagan Upshaw, “Figuratively Sculpting at P. S. l”,   Art in America, Vol 70, No. 1988, pp. 143.

David Shapiro, “The Work of Barry Ledoux: The Structure of Self-Doubt”, NY Arts, International Edition, Vol. 5, No. 7, pp. 26-27, 2000

“Barry Ledoux”, LS Graphics, Essays by David Shapiro & Cynthia Nadelman,  New York, NY, 2000                                           


Exhibition Publications

Roberta Smith, Body Language: Figurative Aspects of Recent Art, Hayden Gallery Massachusetts Institute of Technology, organized by MIT Committee on the Visual Arts, Cambridge, MA, 1981.

“New Figurations in America”, Milwaukee Art Museum, WI., 1982.  Essays by Peter Schjeldahl and Thomas Lawson.

Helen Ferulli, Robert A. Yassin, Painting and Sculpture Today 1982, Contemporary Art Society of the Indianapolis Museum of Art, 1982,  pp.20, 28

Richard Flood, The Sixth Day, a Survey of Recent Developments in Figurative Sculpture, The Renaissance Society at the University of Chicago, May 8-June 15, 1983, pp. 5, 11, 22.

Kathy Halbreich, Jackie Winsor/Barry Ledoux Sculpture, Hayden Gallery, Massachusetts Institute of Technology, organized by MIT Committee on the Visual Arts, Cambridge, MA, 1984.

“Heart and Soul: Bodily Encounters”, Munson-Wilson-Procter Institute of Art, Utica, NY, June 29-Sept 8, 1985.

Sarah Rogers-Lafferty, Body and Soul, Aspects of Recent Figurative Sculpture, The Contemporary Arts Center, Cincinnati, OH, 1985, pp. 17, 38, 58.

John Roberts, “ Aperto 84",  XLI Esposizione Internazionale d’Arte, La Biennale di Venezia, Visual Arts General Catalogue 1984, edited by Marie-George Gervasoni, Venice, Italy, pp.236,248-249.

“The Barry Lowen Collection”, Museum of Contemporary Art, Los Angeles, CA, June 16-Aug 10, 1986

"Bellevue Sculpture Exhibition 2006," Bellevue, WA, June17-Oct,9,2006