Sculpture and Drawings
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Drawing of Self Doubt Number 1

Drawing of Self Doubt Number 1

1988, 40"x29"x8", cut paper, charcoal, pigment, oilstick, hair, cheesecloth, glass beads

Drawing of Self-Doubt Number 2

Drawing of Self-Doubt Number 2

1988, 40"x28"x14", cut paper, charcoal, pigment, oilstick, thermometer, wire mesh, cheesecloth. 

Drawing of Self-Doubt Number 3

Drawing of Self-Doubt Number 3

1988, 40"x29"x12", cut paper, charcoal, pigment, oilstick, hair, glass beads.

Solve and Coagula (For Paracelsus)

Solve and Coagula (For Paracelsus)

1990, 51"x38"x15", cheesecloth, copper wire, cut wood, zinc, clamp, wire mesh, pigment, oilstick, glass beads.

After Leonardo

After Leonardo

1988, 40"x30", cut paper, charcoal, pigment, oilstick.

Cut Holes

Cut Holes

1996, 54"x39", cut paper, charcoal, pigment, oilstick, collage.

 

I am Food for the Universe (For Barry Lowen)

I am Food for the Universe (For Barry Lowen)

1982-85, 65 1/2"x 45 1/2" x18", leaded clear glass, leaded mirrored glass, steel, glass beads, cheesecloth suit, butane flame, propane tank, thermometer, bell and clapper, sculpt metal, pigment, oilstick.

Between Impact and Language (Fragmented)

Between Impact and Language (Fragmented)

1991-93, 65"x29"x17", leaded glass, wire, steel, lead solder, raw pigment

Thus One Begins to Live by Poetry

Thus One Begins to Live by Poetry

1996-97, 64"x29"x14", mica, lead solder, copper wire, steel

Study for Rotundum

Study for Rotundum

1991-93, 48"x28"x40", cut wood, copper leaf, epoxy, pigment, oilstick, glass beads.

Strophe

Strophe

1991-92, 29"x34"43", copper tubing, silver solder, leaded cobalt blue glass, leaded clear glass, rivet, lead, pigment, glass pigment, oilstick.

Small Deaths (Petites Morts)

Small Deaths (Petites Morts)

193-94, 13"x15"x12", leaded blue glass, copper, oilstick, pigment, glass beads.

The Rotundum

The Rotundum

1991-93, 48"x28"x40", anodized aluminum plate, milled anodized aluminum rod

The Rotundum (view 2)

The Rotundum (view 2)

1991-93, 48"x28"x40", anodized aluminum plate, milled anodized aluminum rod

Two Bodies (in Two Parts)

Two Bodies (in Two Parts)

1994, overall dimensions: 16"x21"x12", leaded glass, solder

Untitled

Untitled

2001,60"x40"x2", cut paper, graphite pencil, color pencil, Chinese ink, cheesecloth

Study for Elegy

Study for Elegy

1996, 54"x40", three (3) layers of cut paper, craypas, charcoal, pigment, graphite

Study for Elegy (Detail)

Study for Elegy (Detail)

1996, 54"x40", three (3) layers of cut paper, craypas, charcoal, pigment, graphite

Shaktipah

Shaktipah

2001-2008, 59"x40", paper, oil stick, raw pigment, craypas, collage, silver paint, copper paint, prismacolor

Cut Stencil

Cut Stencil

1988, framed 44.25” x 32.25” x 2”, cut paper, fluorescent pigment, oil stick, craypas

Drawing of Self Doubt Number 1

1988, 40"x29"x8", cut paper, charcoal, pigment, oilstick, hair, cheesecloth, glass beads

Drawing of Self-Doubt Number 2

1988, 40"x28"x14", cut paper, charcoal, pigment, oilstick, thermometer, wire mesh, cheesecloth. 

Drawing of Self-Doubt Number 3

1988, 40"x29"x12", cut paper, charcoal, pigment, oilstick, hair, glass beads.

Solve and Coagula (For Paracelsus)

1990, 51"x38"x15", cheesecloth, copper wire, cut wood, zinc, clamp, wire mesh, pigment, oilstick, glass beads.

After Leonardo

1988, 40"x30", cut paper, charcoal, pigment, oilstick.

Cut Holes

1996, 54"x39", cut paper, charcoal, pigment, oilstick, collage.

 

I am Food for the Universe (For Barry Lowen)

1982-85, 65 1/2"x 45 1/2" x18", leaded clear glass, leaded mirrored glass, steel, glass beads, cheesecloth suit, butane flame, propane tank, thermometer, bell and clapper, sculpt metal, pigment, oilstick.

Between Impact and Language (Fragmented)

1991-93, 65"x29"x17", leaded glass, wire, steel, lead solder, raw pigment

Thus One Begins to Live by Poetry

1996-97, 64"x29"x14", mica, lead solder, copper wire, steel

Study for Rotundum

1991-93, 48"x28"x40", cut wood, copper leaf, epoxy, pigment, oilstick, glass beads.

Strophe

1991-92, 29"x34"43", copper tubing, silver solder, leaded cobalt blue glass, leaded clear glass, rivet, lead, pigment, glass pigment, oilstick.

Small Deaths (Petites Morts)

193-94, 13"x15"x12", leaded blue glass, copper, oilstick, pigment, glass beads.

The Rotundum

1991-93, 48"x28"x40", anodized aluminum plate, milled anodized aluminum rod

The Rotundum (view 2)

1991-93, 48"x28"x40", anodized aluminum plate, milled anodized aluminum rod

Two Bodies (in Two Parts)

1994, overall dimensions: 16"x21"x12", leaded glass, solder

Untitled

2001,60"x40"x2", cut paper, graphite pencil, color pencil, Chinese ink, cheesecloth

Study for Elegy

1996, 54"x40", three (3) layers of cut paper, craypas, charcoal, pigment, graphite

Study for Elegy (Detail)

1996, 54"x40", three (3) layers of cut paper, craypas, charcoal, pigment, graphite

Shaktipah

2001-2008, 59"x40", paper, oil stick, raw pigment, craypas, collage, silver paint, copper paint, prismacolor

Cut Stencil

1988, framed 44.25” x 32.25” x 2”, cut paper, fluorescent pigment, oil stick, craypas

Drawing of Self Doubt Number 1
Drawing of Self-Doubt Number 2
Drawing of Self-Doubt Number 3
Solve and Coagula (For Paracelsus)
After Leonardo
Cut Holes
I am Food for the Universe (For Barry Lowen)
Between Impact and Language (Fragmented)
Thus One Begins to Live by Poetry
Study for Rotundum
Strophe
Small Deaths (Petites Morts)
The Rotundum
The Rotundum (view 2)
Two Bodies (in Two Parts)
Untitled
Study for Elegy
Study for Elegy (Detail)
Shaktipah
Cut Stencil