Redemption
1982, 78" x 34" x 74", lead, copper, glass beads, oil stick, wood, copper pigment, fluorescent pigment, post moulage, locust, rivets, 4" thick layer of rock salt on floor.
Sin Sore Wounding
1981, 58" x 59" x 46", lead, copper, zinc, needles, glass beads, oil stick, wood, copper pigment, fluorescent pigment, post moulage, locust, rivets, 4" thick layer of rock salt on floor.
Portrait of an Invert
1982, 52" x 32" x 36", lead, copper, glass beads, oil stick, wood, copper pigment, fluorescent pigment, post moulage, rivets.
Swann's Snail (side view)
1981, 54" x 48" x 27", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, bees wax, live flower, rivets. Photo: Roy Elkind.
Swann's Snail (front view)
1981, 54" x 48" x 27", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, bees wax, live flower, rivets. Photo: Roy Elkind.
Swann's Snail (back view)
1981, 54" x 48" x 27", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, bees wax, live flower, rivets. Photo: Roy Elkind.
No. 1 with Spleen
1980-81, 54" x 44" x 41", lead, copper, needles, glass beads, oil stick, wood, fluorescent pigment, locust (2), tarantula, rivets.
Lord, What is Man? (for Purcell)
198-1-82, 67" x 37" x 37", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, bees wax, locust, post moulage, rivets.
Poem
1981, 31" x 57" x 24", lead, copper, zinc, needle, glass beads, oil stick, copper pigment, fluorescent pigment, locusts (2), rivets.
Fugge, Fugge, Anima Mia
1982, 63" x 52" x 34", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, post moulage, bees wax, rivets.
Redemption
1982, 78" x 34" x 74", lead, copper, glass beads, oil stick, wood, copper pigment, fluorescent pigment, post moulage, locust, rivets, 4" thick layer of rock salt on floor.
Sin Sore Wounding
1981, 58" x 59" x 46", lead, copper, zinc, needles, glass beads, oil stick, wood, copper pigment, fluorescent pigment, post moulage, locust, rivets, 4" thick layer of rock salt on floor.
Portrait of an Invert
1982, 52" x 32" x 36", lead, copper, glass beads, oil stick, wood, copper pigment, fluorescent pigment, post moulage, rivets.
Swann's Snail (side view)
1981, 54" x 48" x 27", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, bees wax, live flower, rivets. Photo: Roy Elkind.
Swann's Snail (front view)
1981, 54" x 48" x 27", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, bees wax, live flower, rivets. Photo: Roy Elkind.
Swann's Snail (back view)
1981, 54" x 48" x 27", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, bees wax, live flower, rivets. Photo: Roy Elkind.
No. 1 with Spleen
1980-81, 54" x 44" x 41", lead, copper, needles, glass beads, oil stick, wood, fluorescent pigment, locust (2), tarantula, rivets.
Lord, What is Man? (for Purcell)
198-1-82, 67" x 37" x 37", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, bees wax, locust, post moulage, rivets.
Poem
1981, 31" x 57" x 24", lead, copper, zinc, needle, glass beads, oil stick, copper pigment, fluorescent pigment, locusts (2), rivets.
Fugge, Fugge, Anima Mia
1982, 63" x 52" x 34", lead, copper, zinc, glass beads, oil stick, wood, copper pigment, fluorescent pigment, post moulage, bees wax, rivets.